Volume-XII, Issue-II, March 2026 |
ভারতীয় দর্শনে আত্মার স্বরূপ: একটি তুলনামূলক আলোচনা রীনা পাল, স্বাধীন গবেষক, বেরহামপুর, পশ্চিমবঙ্গ, ভারত |
Received: 12.03.2026 | Accepted: 13.03.2026 | Published Online: 31.03.2026 | Page No: | ||||
DOI: 10.29032/ijhsss.vol.12.issue.02W. | |||||||
The Nature of the Soul in Indian Philosophy: A Comparative Discussion Rina Pal, Independent Research Scholar, Berhampore, West Bengal, India | ||
ABSTRACT | ||
Siddheshwar Chattopadhyay's play 'Swargiyahasanam' is an unique and extra ordinary creation of modern Sanskrit drama. In this drama the real picture of society and politics is exposed. In this play, 'heaven' is not just amazing place, but also the symbol of human society. According to myth heaven is the place, where Gods lives their and they ruled the human society. The playwright has taken vivid satire against the abuse of power, inflection from ideal and morality. The political demorilization, personal interests and state’s injustice and post-independence violences of India are reflected in this play. He has also expressed the eternal nature of politics and the confliction between good and bad, justice and injustice in a philosophical context. So, 'Swargiyahasanam' is not only a document at time but also eternal political metaphor, which is still deeply pertinant in the contemporary context. | ||
Keywords: Modern Sanskrit Literature, Exceptionalism, Originality, Politics, Heaven, Satire, Daily Life. |