Volume-XI, Issue-I, January 2025 |
"নষ্টনীড়ে'র শিল্পরীতিতে নঞর্থক বাক্যের ব্যবহার অনন্যা নস্কর, গবেষক, বাংলা বিভাগ, বিদ্যাসাগর বিশ্ববিদ্যালয়, পশ্চিমবঙ্গ, ভারত |
Received: 15.01.2024 | Accepted: 26.01.2025 | Published Online: 31.01.2025 | Page No: 39-48 | ||||
DOI: 10.29032/ijhsss.vol.11.issue.01W.005 | |||||||
ABSTRACT | ||
Rabindranath Tagore's short story ‘Nashtanir’ is a nuanced exploration of human relationships, emotions, and societal expectations, set against the backdrop of colonial Bengal. Written in 1901, the story focuses on Charulata, a lonely housewife, whose emotional and intellectual cravings are unmet by her work-absorbed husband, Bhupati. This gap leads her to form a deep bond with Bhupati's cousin, Amal. What begins as a seemingly innocent relationship gradually evolves into a complex emotional entanglement, challenging the boundaries of familial and societal norms. Highlighting her intellectual frustrations and emotional isolation. The subtle emotional development between Charulata and Amal, marked by unsaid words and unexpressed emotions, creates a narrative that is rich in psychological depth. Rabindranath Tagore's narrative style and his exploration of the subtle and often unspoken conflicts within personal relationships.Tagore employs a third-person omniscient narrator to explore the thoughts and feelings of his characters, particularly Charulata's complex emotional landscape. Tagore’s use of silence and pauses in dialogues reflects the internal struggles of the characters, making the unspoken as significant as the spoken. This nuanced portrayal of emotions imbues the story with a poetic quality. Symbolism is another key stylistic feature in ‘Nashtanir’. lyrical language combined with a focus on the emotional subtleties of human relationships, gives the story its enduring beauty. Keywords: Rabindranath Tagore, ‘Nashtanir’, Symbolism, Sentence Structure, Stylistic. |