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চন্দন সেনগুপ্তের নাটক ‘সাদা পায়রার জন্য’ : যুদ্ধ এবং মানবিকতার দ্বন্দ্ব - International Journal of Humanities & Social Science Studies (IJHSSS)

A Peer-Reviewed Indexed Bi-lingual Bi-Monthly Research Journal
ISSN: 2349-6959 (Online) 2349-6711 (Print)         IMPACT FACTOR: 6.8
ID: 10.29032
International Journal of Humanities & Social Science Studies
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Paper Submission

Volume-XII,  Issue-V, September 2026
চন্দন সেনগুপ্তের নাটক ‘সাদা পায়রার জন্য’: যুদ্ধ এবং মানবিকতার দ্বন্দ্ব
পূরবী দাস, গবেষক, বাংলা বিভাগ, গৌহাটি বিশ্ববিদ্যালয়, আসাম, ভারত
ড. বরুণ কুমার সাহা, সহকারী অধ্যাপক, বাংলা বিভাগ, গৌহাটি বিশ্ববিদ্যালয়, আসাম, ভারত
Received: 24.09.2026
Accepted: 28.09.2026
Published Online: 30.09.2026
Page No: 17-25
DOI: 10.29032/ijhsss.vol.12.issue.05W.366
Chandan Sengupta’s Play Sada Payrar Jonno: The Conflict between War and Humanity
Purabi Das, Research Scholar, Department of Bengali, Gauhati University, Assam, India
Dr. Barun Kumar Saha, Assistant Professor, Department of Bengali, Gauhati University, Assam, India
ABSTRACT
Chandan Sengupta is a brilliant star of Tripura’s Bengali theatre. As an active member of Tripura’s ‘Natyabhumi’ (1993) he has always taken the drama practice forward on the path of progress. After his death in 1996, ‘Natyabhumi’ has been celebrating the ‘Chandan Sengupta Memorial Drama Festival’ to keep his memory alive. The main subject of Chandan Sengupta’s plays is the story of ordinary people who fall victim to various crises and hostile environments created by political interests. In the context of World War 2, Chandan Sengupta has perfectly depicted the great hardships that the war had caused to ordinary people’s lives in his play ‘Sada Payrer Jonya’. Chandan Sengupta has described in his play how the Germans, burned by the fire of revenge as a result of the Treaty of Versailles, brutally tortured the French, and how the cruel rules of war, the conflict of me versus you, revenge, and ego gradually violated the humanity of the soldiers, destroyed their conscience, and turned them into barbarity. In addition, to bid farewell to these interests, conflicts, and violence of the state, the playwright is calling on the youth to jump into another war, which will be a war for the white pigeon, that is, for peace, for great unity. The purpose of this research work is to highlight how he rose above political interests by uprooting the cruelty, brutality, and conflicts of war in the context of the state war in the play ‘Sada Payrer Jonya’, and declared the triumph of love and humanity.
Keywords: Chandan Sengupta, Sada Payrer Jonya, Treaty of Versailles, revenge, peace, humanity.
Designed by:
Dr. Bishwajit Bhattacharjee
IJHSSS
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